10 REASONS WHY South Africa is still the best production destination in the world

10 REASONS WHY South Africa is still the best production destination in the world

10 reasons why

It would be hard to find a reason not to shoot your project in South Africa, even in today’s world. Rest assured, South Africa will look after you and justify your decision to come here 10 times over. 

As a quick reminder (because we love to boast), here’s the full click-baity checklist:

  1. Range of locations: that can replicate almost anywhere in the world, within a 2-hour radius of a major city. 
  2. Beautiful and green: after a long, rainy winter our lakes and dams are full and our meadows are green. 
  3. Weather: we have a Southern hemisphere climate, with summer from November to March. 
  4. Talent: we have a wide range of diverse talent and can negotiate cost-effective package deals. 
  5. Crew: internationally recognised as world-class. 
  6. Daylight: 14 – 16 hours a day in summer. 
  7. Infrastructure & facilities: one of the reasons why we are one of the top tourist destinations in the world. 
  8. Production Value: much more budgetary value than last season thanks to the exchange rate. For more info, read this article.
  9. COVID strategy: strictly adhered to and praised by the WHO. Read also about our safety protocols here
  10. Technology and connectivity: world class. Read about remote capability here.. 

In short, South Africa #reloaded and ready for your project. 

For questions or more info about any travel and visa requirements, contact Beccy at beccy@moonlightingfilms.co.za. For production info and bids, contact Shayne at shayne@moonlightingfilms.co.za

TRAVEL REQUIREMENTS & visas

REMOTE PRODUCTION & its unexpected benefits

SAFETY IS KEY: pandemic proof production protocols

THE EXCHANGE RATE ADVANTAGE: up to 23% cheaper than in 2019

SHOCKPROOF: Moonlighting’s approach to a changing world

SOUTH AFRICA praised by the World Health Organisation

 

REMOTE PRODUCTION and its unexpected benefits

REMOTE PRODUCTION and its unexpected benefits

Remote Prod Unexpected Benefits 1

Now that we’ve solved the key issues like bandwidth and comms, we think the additional benefits of remote production are here to stay.

Moonlighting pulled off South Africa’s first remote international TVC shoot in March when the client and agency team for an OPPO spot could not travel from China. Since then, we have run numerous tests with producer partners around the world and have identified and addressed all concerns and issues relevant to commercial shoots. These range from bandwidth acquisition in remote locations to multiple (and private) communication channels. There are solutions for every budget and every type of shoot. 

How remote production can benefit your project:

  1. When members of your team can’t travel for a shoot, they can still have full, real-time participation.
  2. You can make significant budget savings by having some of your team join remotely. 
  3. If any team members should be delayed or unexpectedly find themselves in quarantine, they can still join the shoot remotely, keeping your project on-schedule.
  4. Rather than watching every step of a long production process, clients can view high-res images at their desks and give input and approvals as needed.
  5. Remote participation doesn’t have to be expensive. The production setup can be tailored to the project and budget, ranging from a simple Zoom system, to high-red imagery and multiple cameras. 
  6. Using remote technology, directors and agency can now join a casting session in realtime, making approvals and feedback much quicker.

ENABLING A SUCCESSFUL REMOTE PRODUCTION AND MINIMISING RISK

Working with professionals

We are fortunate to work alongside our sister company & technical provider, Helium. Their experience in sports broadcasting has professionalized remote production and provided us with a full remote broadcast studio on-site at the Moonlighting office.

Bandwidth

No bandwidth, no shoot. Our service provider has invested in every possible device to harvest mobile and satellite bandwidth, no matter the location. If there is data in an area, we will find it. 

Communication

You need to be able to replicate the conversations that take place on a physical film set so that none of the key role players feel in any way compromised. We have been working with ClearComms and Motorola to allow a remote participant to join the shoot using a PPT app and accessing crew via the headsets used on set – a serious game-changer.

Confidence in the systems

We all know the frustration of arriving in a boardroom where the IT systems do not work or a conference call where one participant cannot connect.  In the remote broadcast world, there is always the concern that there is a break somewhere in the chain that can compromise the system.  We have at least 2 and usually 3 back-up systems at any one time – we test, test and test again. We have thorough pre-production processes and work with professional broadcast crew. 

In short, we’ve got the experience and every tool in the box to make sure that your remote experience is seamless and world class.

Feel free to get in touch any time if you’ve got questions or want us to quote on a board. We’re #reloaded

For questions or more info about any travel and visa requirements, contact Beccy at beccy@moonlightingfilms.co.za. For production info and bids, contact Shayne at shayne@moonlightingfilms.co.za

TRAVEL REQUIREMENTS & visas

SAFETY IS KEY: pandemic proof production protocols

THE EXCHANGE RATE ADVANTAGE: up to 23% cheaper than in 2019

SHOCKPROOF: Moonlighting’s approach to a changing world

10 REASONS WHY South Africa is still the best production destination in the world

SOUTH AFRICA praised by the World Health Organisation

 

 

SHOCKPROOF: Moonlighting’s approach to a changing world

SHOCKPROOF: Moonlighting’s approach to a changing world

shockproof

COVID-19 is a speedbump. A big one. One of those sneaky ones that no-one was expecting. Read on to see how we’re staying on track in 2020 and beyond. 

As we emerge into this brave new world of remote technology, shifting economies and political turmoil, producers need to feel more than ever that their projects will be delivered safely, on-budget, and on-schedule. 

We’ve got your back. Moonlighting has been in production services for 30+ years. We’ve been through many world and industry-shaking changes, and we’ve always come out the other side. Each challenge offers an opportunity. We slow down, regroup, look for ways to do things differently and come through it stronger and better. 

Moving up to the cloud

Like our colleagues all over the world, we all had to work from home for a time. We’ve adapted our systems to make life easier for production staff no matter what time of day it is or where they are. 

Our accounting, casting, and location systems have also gone skyward, allowing improved responsiveness and accessibility.  

We’ve rebuilt our casting studio to allow real-time, high-resolution images to flow in both directions when directors or other foreign production teams want to participate from abroad.

Using Remote to our advantage.

Remote isn’t just a solution for the pandemic environment. We’ve ensured that it’s so good that those who choose not to travel can still be fully involved. This minimises risk and saves your budget. Read our article on the many benefits of remote production here. 

If you want to be an old dog, you’ve got to keep learning new tricks. 

Moonlighting has been one of South Africa’s most trusted production services companies for more than 30 years, and we’re still around because we’re good at adapting to change. We keep our technology up to date and are always looking for new, better solutions. This investment over time has given us access to great technical and human resources that we draw on to make sure your production is successful.  

Feel free to get in touch any time if you’ve got questions or want us to quote on a board. We’re #reloaded

For questions or more info about any travel and visa requirements, contact Beccy at beccy@moonlightingfilms.co.za. For production info and bids, contact Shayne at shayne@moonlightingfilms.co.za

TRAVEL REQUIREMENTS & visas

REMOTE PRODUCTION & its unexpected benefits

SAFETY IS KEY: pandemic proof production protocols

THE EXCHANGE RATE ADVANTAGE: up to 23% cheaper than in 2019

10 REASONS WHY South Africa is still the best production destination in the world

SOUTH AFRICA praised by the World Health Organisation

 

Testing bandwidth and connectivity in remote locations

Testing bandwidth and connectivity in remote locations

blog 1
How far and remote can a producer, 2 VT operators and a technician get in a Jeep on a really rainy day?
Huge thanks to VT ops Anthony English, Marco Rinaldi, Moonsport’s Jonty and Moonlighting producer Suzanne Currie for braving the elements on the wettest day in weeks to test connectivity and signal in remote locations. And thanks to Trent Key who liased with the team back in the studio. Latency rate was only 460 milliseconds.

Our first remote shoot – Roman Rütten’s OPPO RENO3

Our first remote shoot – Roman Rütten’s OPPO RENO3

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This is Roman Rütten’s OPPO – shot with London’s 1stAveMachine with Moonlighting in March – and our first remote commercial shoot. VIEW HERE Shot on location in and around Cape Town in the heady days before social-distancing, with the clients and agency joining remotely from the UK and China.

As Roman told LBBOnline, “it was pretty intense. But we did tests before, and it actually worked really well. [The clients] were able to comment live while setting up and do set approvals over a phone camera. For sure I will remember this shoot. I am really happy it worked out and our client was so great about it and trustful”.

WE’VE BEEN RUNNING MORE TEST SHOOTS WITH REMOTE DIRECTOR & SYNC SOUND TO STREAMLINE COMMUNICATION CHANNELS

In last week’s test shoots, we invited around 150 producers from South Africa and from around the world (through GPN: Global Production Network) to observe over the course of 3 sessions. With our director joining remotely, we shot with sync sound, talent and full Covid-19 Health and Safety Protocols. We’ve also been joining several test shoots with our GPN partners around the world as well as benefitting from our partner Moonsport’s experience in running remote broadcast productions.

For us, the key points to ensure a successful remote shoot are:

  • Prep time is crucial.
  • Bandwidth is king
  • Communication is key with multiple communication channels open. There needs to be complete separation in comms between the “director & set” and “the director and clients” and the director needs to be able to have a private conversation with whomever he chooses.

What we are currently developing to further refine remote shooting:

  • We ran a test this week on an app that allows the remote director to be included in the set walkie-talkie system; we will take this on a location shoot next week

We’ll keep you posted.

For more info on shooting in South Africa, please contact Shayne Brookstein at shayne@moonlightingfilms.co.za

Read the LBBOnline article on Roman and other directors’experiences of shooting remotely here.

 

Latest remote test shoots

Latest remote test shoots

web 01 Cull.00 03 57 10.Still015 800 x 500

WE’VE BEEN RUNNING MORE TEST SHOOTS WITH REMOTE DIRECTOR & SYNC SOUND TO STREAMLINE COMMUNICATION CHANNELS

In last week’s test shoots, we invited around 150 producers from South Africa and from around the world (through GPN: Global Production Network) to observe over the course of 3 sessions. With our director joining remotely, we shot with sync sound, talent and full Covid-19 Health and Safety Protocols. We’ve also been joining several test shoots with our GPN partners around the world as well as benefitting from our partner Moonsport’s experience in running remote broadcast productions.

For us, the key points to ensure a successful remote shoot are:

  • Prep time is crucial.
  • Bandwidth is king
  • Communication is key with multiple communication channels open. There needs to be complete separation in comms between the “director & set” and “the director and clients” and the director needs to be able to have a private conversation with whomever he chooses.

What we are currently developing to further refine remote shooting:

  • We ran a test this week on an app that allows the remote director to be included in the set walkie-talkie system; we will take this on a location shoot next week

We’ll keep you posted.

For more info on shooting in South Africa, please contact Shayne Brookstein at shayne@moonlightingfilms.co.za

 

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